T.E. LAWRENCE
THE MINT

NOTE BY A. W. LAWRENCE

IN 1922 T. E. Lawrence enlisted in the ranks of the R.A.F. under the name of John Hume Ross. From the Depot at Uxbridge he wrote to Edward Garnett on September 7th of that year: "I find myself longing for an empty room, or a solitary bed, or even a moment alone in the open air. However there is grand stuff here, and if I could write it . . " In a later letter to Garnett he says that he has been making notes, "scribbled at night, between last post and lights out, in bed". They will make, he thinks, "an iron, rectangular, abhorrent book, one which no man would willingly read". In January I923 he was discharged from the R.A.F. upon the discovery of his identity, but he was allowed to re-enter it two and a half years later, this time using the name of Shaw, under which he had meanwhile served in the Tank Corps. On reenlistment he resumed the taking of notes. In August 1927, writing from Karachi, he tells Garnett that he has cut up and arranged these notes in sections and is copying them seriatim into a notebook `as a Christmas (which Christmas?) gift for you'. In manuscript, or in typescripts made from it, The Mint was read by a small number of people, including Bernard Shaw and E. M. Forster. On August 6th, 1928, answering a letter from Forster, he wrote the longest account of the genesis of the book; it should be compared with that on p. I65. `Every night in Uxbridge I used to sit in bed, with my knees drawn up under the blankets, and write on a pad the things of the day. I tried to put it all down, thinking that memory & time would sort them out, and enable me to select significant from insignificant. Time passed, five years and more (long enough, surely, for memory to settle down?) and at Karachi I took up the notes to make a book of them . . . and instead of selecting, I fitted into the book, somewhere & somehow, every single sentence I had written at Uxbridge. `I wrote it tightly, because our clothes are so tight, and our lives so tight in the service. There is no freedom of conduct at all. Wasn't I right? G.B.S. calls it too dry, I believe. I put in little sentences of landscape (the Park, the Grass, the Moon) to relieve the shadow of servitude, sometimes. For service fellows there are no men on earth, except other service fellows . . . but we do see trees and star-light and animals, sometimes. I wanted to bring out the apartness of us. `You wanted me to put down the way I left the R.A.F., and something about the Tanks. Only I still feel miserable at the time I missed because I was thrown out that first time. I had meant to go on to a Squadron, & write the real Air Force, and make it a book - a book, I mean. It is the biggest subject I have ever seen, and I thought I could get it, as I felt it so keenly. But they broke all that in me, and I have been damaged ever since. I could never again recover the rhythm that I had learned at Uxbridge, resisting Stiffy . . . and so it would not be true to reality if I tried to vamp up some yarn of it all now. The notes go to the last day of Uxbridge, and there stop abruptly. `The Cranwell part is, of course, not a part, but scraps. I had no notes for it . . . any more than I am ever likely to have notes of any more of my R.A.F. life. I'm it, now, and the note season is over. The Cadet College part was vamped up, really, as you say, to take off the bitterness, if bitterness it is, of the Depot pages. The Air Force is not a man-crushing humiliating slavery, all its days. There is sun & decent treatment, and a very real measure of happiness, to those who do not look forward or back. I wanted to say this, not as propaganda, out of fairness, the phrase which pricked up your literary ears, but out of truthfulness. I set out to give a picture of the R.A.F., and my picture might be impressive and clever if I showed only the shadow of it . . . but I was not making a work of art, but a portrait. If it does surprisingly happen to be literature (I do not believe you there: you are partially kind) that will be because of its sincerity, and the Cadet College parts are as sincere as the rest, and an integral part of the R.A.F. `Of course I know and deplore the scrappiness of the last chapters : that is the drawback of memory, of a memory which knew it was queerly happy then, but shrank from digging too deep into the happiness, for fear of puncturing it. Our contentments are so brittle, in the ranks. If I had thought too hard about Cranwell, perhaps I'd have found misery there too. Yet I assure you that it seems all sunny, in the back view. 'Of Cadet College I had notes. Out of letters on Queen Alexandra's Funeral (Garnett praises that. Shaw says it's the meanness of a guttersnipe laughing at old age. I was so sorry and sad at the poor old queen), for the hours on guard, for the parade in the early morning. The Dance, the Hangar, Work and the rest were written at Karachi. They are reproductions of scenes which I saw, or things which I felt & did . . . but two years old, all of them. In other words, they are technically on a par with the manner of The Seven Pillars: whereas the Notes were photographs, taken day by day, and reproduced complete, though not at all unchanged. There was not a line of the Uxbridge notes left out; but also not a line unchanged. `I wrote The Mint at the rate of about four chapters a week, copying each chapter four or five times, to get it into final shape. Had I gone on copying, I should only have been restoring already crossed out variants. My mind seems to congest, after reworking the stuff several times. `To insist that they are notes is not side-tracking. The Depot section was meant to be a quite short introduction to the longer section dealing with the R.A.F. in being, in flying work. Events killed the longer book: so you have the introduction, set out at greater length.' In a subsequent letter to Forster he explained that he felt unable to publish the book because of `the horror the fellows with me in the force would feel at my giving them away, at their "off" moments, with both hands . . . So The Mint shall not be circulated before 1950.' But to Garnett he wrote: `I took liberties with names, and reduced the named characters of the squad from 50 odd to about 15.' (Since the extent of the `liberties' is unknown, new names have been substituted in this edition in all passages which might have caused embarrassment or distress.) The author portrays himself at a time when he was nervously exhausted, following the intense and almost continuous strain involved by the war, by the struggle for post-war settlement, by the writing of Seven Pillars and by writing the whole again after the theft of the original manuscript. Otherwise the starvation described in Chapter I would have been avoidable; as Colonel S. F. Newcombe points out, during some months before enlistment he received sufficient money to have enabled him to live comfortably, and in the last few weeks he caused some annoyance by constantly refusing invitations to meals and by failing to visit households at which he would have always been welcome. Presumably the years of over-exertion had resulted, when the need for activity ceased, in a condition of mind which allowed only negative decisions to be taken without intolerable effort. Life in the ranks, where a decision would never be required, therefore seemed the right solution, though to a man in such a state the rigours were bound to be magnified. The account of them, it need scarcely be said, was not written as propaganda for alleviating
recruits' hardships; not till six years later was any part of the manuscript shown to an officer, after Garnett had received the completed book. The typescript made at Garnett's order from the actual manuscript supplied the text for a few copies printed after the author's death (by Doubleday, Doran & Co., New York, 1936). Towards the end of his life, the author revised the book in a typescript re-copied from Garnett's and therefore not absolutely identical. He made slight alterations on practically every page and an occasional substantial change. Evidence that he planned further corrections is extremely limited. He had noted two new possible titles for Part One, `The Natural Man' and `Enclosure', to replace `The Raw Material', and for Part Two had scribbled `Hammer and Anvil' as an alternative to the original title, `In the Mill'. And in many passages he had substituted or discarded capital letters but failed to do so at every recurrence of the word. The present edition follows the revised text without the inconsistencies and slips which he would have corrected, but for his accidental death. He intended, in fact, to print a limited edition himself on a hand-press, and had already obtained enough copies for its frontispiece of a reproduction (by Messrs. Emery Walker) of a portrait drawing by Augustus John, now in the Ashmolean Museum. For an unrestricted publication, the coarse words automatic in barrackroom speech have been eliminated.
A. W. L.

CONTENTS

NOTE BY A. W. LAWRENCE

PART ONE. THE RAW MATERIAL

1 RECRUITING OFFICE
2 THE GATE
3 IN THE PARK
4 THE FEAR
5 FIRST DAY
6 US
7 THE NEW SKIN
8 OFFICERS MESS
9 PT
10 LAST POST
11 FATIGUES
12 REVEILLE
13 VANITIES
14 HOLIDAY
15 CHURCH
16 MESS DECK
17 CORPORAL ABNER
18 BAKER'S ROLL CALL
19 -CART
20 OUR COMMANDING OFFICER
21 THE SOCIAL CODE
22 BREAKING OR MAKING
23 COOK'S MATE
24 INSPECTION
25 HUMBUGGING ABOUT
26 CHINA'S TROUBLE
27 A SERMON
28 OUR MOULD OF FORM
29 THE LAST FATIGUE

PART TWO. IN THE MILL

1 DISCIPLINES
2 THE FOUR SENSES
3 OFFICERS PLEASE
4 NON-COMMISSIONED OFFICERS
5 MY HOURS
6 INTEMPERATE
7 A FRESH START
8 THE TIME-TABLE
9 SCHOOL
1O OUR INSTRUCTOR
11 NOW AND THEN
12 STOCK-TAKING
13 THE LITTLE MORE
14 CEREMONY
15 EXTRAS
16 OFFENSIVE
17 ANOTHER CHANCE
18 AUDIENCE
19 ODD MAN OUT
20 IN THE GUARD-ROOM
21 STIFFY
22 GAOL-DELIVERY

PART THREE. SERVICE

AN EXPLANATION
1 RAIL JOURNEY
2 B FLIGHT
3MANNERS
4 A FIRST NOTE
5 LODGINGS
6 BODY AND SOUL
7 THE HANGAR
8 WORK
9 FUNERAL
10 DANCE NIGHT
11 ON PARADE
12 POLICE DUTY
13 THE WAY OF A BIRD
14 CLASSES
15 FUGITIVE
16 THE ROAD
17 A THURSDAY NIGHT
18 INTERLUDE

II . FATIGUES

FATIGUES, fatigues, fatigues. They break our spirits upon this drudgery. One of . us ninety recruits (to so many are we grown) already wishes aloud he had not joined the R.A.F. In under a week we have clicked three or four fire-pickets, (`Swinging it on the . rookies, they are, the old sweats' grumbled Tug. `Old soldier, old ' quoted Madden with a laugh. `Ah,' flung back Tug malevolently, `young soldier, fly . hat's me') dust-cart we get, and refuse-collection, scrubbing the shit-houses, the butcher's shop, the Q.M. Stores, Barrack Stores, sweeping and dusting the Cinema. Then there's message running at H.Q., the main point of which is to bring back for the clerk's elevenses their Chelsea buns while warm. China got into disgrace there. `I wasn't going to ******* about for those toffy-nosed ******* , so I got back after ****** twelve, and they shoved me on the fizzer!' He received two extra fatigues, as punishment: - which was getting off scot-free, for we are all, innocent and guilty, on extra fatigues, what with stoking the boiler-house or in the cook-house, or at the officers' mess, or hut cleaning or polishing the fire-station, or washing down the pigsties, or feeding the incinerator. At dawn we leap from bed, rush to wet our hands and faces, fall in for P.T.: fall out and fall in for breakfast, put on puttees and overalls, sweep the hut (under the eye of our corporal, who has us all by name, and misses nothing of what we fail to do), tidy our beds again, and fall in for fatigues. After that the hut does not see us, except for a hurried moment each side of dinner, till tea-time: and after tea is fire-picket, save for those who work an evening shift till nine at officers' mess, or dining hall, or civilian hut. These two last are scullion jobs: - and not in neat sculleries with sinks and racks and hot taps. We dip into a tub of cold water, through its crusted grease, four or five hundred tea-stained mugs and a thousand plates: which afterwards we smooth over with a ball of grease-stiff rag. A stomach-turning smell and feel of muck it is, for hour upon hour: and a chill of water which shrivels our fingers. Then a clattered piling of wet dishes on the table, to drip dry. Nor may you ever call yourself your own, or a job yours. The camp pullulates with recruits, and every employed man's our master, who will get from us what privy convenience he can. Many exercise a spite upon the recruits so that out of fear we may be more accommodating. The Sergeant Major set an example of misuse, when he led the last fatigue man in the rank to his wife's house, and had him black the grate and mind the children, while she shopped. `Gave me a slab of jam-tart, she did,' boasted Garner, lightly forgiving the crying infant because of the belly-full he'd won. We are always hungry. The six-weeks men we meet on fatigues shock our moral sense by their easy-going. `You're silly , you rookies, to sweat yourselves' they say. Is it our new keenness, or a relic of civility in us? For by the R.A.F. we shall be paid all the twenty-four hours a day, at three halfpence an hour; paid to work, paid to eat, paid to sleep: always those halfpence are adding up. Impossible, therefore, to dignify a job by doing it well. It must take as much time as it can for afterwards there is not a fireside waiting, but another job. The gods allow us in our hut just long enough to clean it, and our brass and leather and cloth - and they make the hut bare and regimental, so that we do not wish to linger in it. Our days pass half choked in dusty offices, or menially in squalid kitchens, to and from which we hurry at a quick-step in fours through the verdant beauty of the park and its river valley: the stamp of our armoured feet fighting down the thrushes' twitter and the grave calling of rooks in the high elms.


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